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【Media现场】陶大珉 陶显双个展 | 指纹画廊

原标题:【Media现场】陶大珉 陶显双个展 | 指纹画廊

无处陶大珉 Nowhere Tao Damin

意识划痕陶显 Sense Scratch Tao Xian

展期 Duration:2017.8.26-9.26

地点:指纹画廊Fingerprint Gallery

北京市朝阳区机场辅路草场地54号院

No.54 Caochangdi(old airport road), Chaoyang District, Beijing, China

展览现场

“无处”有着多重理解,既指其字面意义的无所处、无一处,也可与“安放、还乡、藏身”等词汇勾连成为明确的境遇指向。而在此,“无处”被视为一种中立的场景、状态以及境地,以具体的空间、室内、物体、人物等形象组构成客观的某种处境,而这样的“无处”之境正可以用来认识陶大珉的相关绘画。

陶大珉的近作更多来源于电影影像、马奈绘画等的相互影响,他将个人经验和绘画观念藏匿于语言内部,往往会选取置于惯常场景中的物体与空间,用类似于局部剪辑、缩窄色域等方式,来加以对应的物象的编改和形象的杜撰,以深郁的单色背景,微妙的扁宽笔触,描绘出静谧而隐秘的在场景象,表现以克制而障翳的画面表象。

他画作中的各种物体与场景,即使是人物和风景,也被描绘得像静物一般,“更确切的说,他的作品把一切对象都转换成了静物,通过把事物从其环境中剥离,使它们变成无语境的孤立的事物”,并借以具体的场所和处境来加以表现,形成了一幅幅悬置和剥离的状态,这既是其绘画所一贯描绘的室内空间、静物物象之间关系的绘画呈现,也含有处境与置身的存在质疑,因而在某种程度上其画作如同哲理小说一般,成为关于沉思辨悟与相关认知的分泌之物,而每幅画面都终将转化为其绘画理念的必要章节。

The word “nowhere” has multiple meanings. Literally, it means “not anywhere; in or at or to no place” and collocates with words such as “place”, “back” and “hide”. As for Tao Damin’s paintings, “nowhere” means a state which consists of space, objects and figures.

Inspired by movies and Manet, Tao Damin depicts common things and scenes, which are modified in size and color, in his own way to convey his experience and idea. Painting in a dark tone, his presents us tranquil, secret and restrained tableaux.

Things and scenes, even figures and scenery, are like still life in his paintings. “More specifically, he turns everything into still life and makes them is olated through separating them from the original environment.” This, as his usual way of painting, actually shows his doubt about existence. Therefore, his paintings are like philosophical fictions to some extent. Every work, being the fruit of his reflection and knowledge, is one chapter of his idea of painting.

展览现场

陶显用绘画,摄影和版画作为载体,探讨科技和电子媒体的发展是如何不断改变个体乃至整个人类社会的 观看体验。陶显将她的绘画看作是一个个屏幕——就如同画布作为连接观者和画面的界限,屏幕以同样的方式划分了使用者和电子世界。她从偶然出现的电子系统故障为灵感,将这种带有电子故障的视觉效果转换成不断出现在画面上的图形,仿佛她的作品也变成了出现故障的屏幕。通过重新诠释这一视觉效果,这些绘画作品将观者的注意力再次带到回到了绘画平面上,自文艺复兴开始人们就一直假定画面是透明的,通过它,我们可以看清一切。这些作品不仅关注电子世界里的身份构造,同时通过描绘亚洲色情服务工作 者,触及到了性别以及合法性等一系列社会问题。

Tao Xian primarily works with painting, photography, and print. Through these means of expression, she provides her creations with critical understandings of the contemporary world, raising questions of the changing connection between individuals and overall society as a result of technology and digital media. Specifically, she treats her canvas as screens——in the same way as a canvas marks the boundary between the viewer and the pictorial dimension, the screen underlines the division between the user and the digital world. Finding inspirations in the occasional crashes of technological systems, she ingeniously turns the visual effect of such a “glitch" into a recurring motif of her recent paintings, as if her works become malfunctioned screens. By virtue of this visual effect, these paintings give attention to the picture plane, which has long been assumed transparent especially since the Renaissance as people believe that everything that it reflects is real. In terms of their significance, these works not only inquire into the notion of identity in the digital world but also by portraying female Asian sex workers, touch upon complicated social issues such as gender and legality.

关于指纹画廊

指纹画廊创建于2017年,位于北京草场地艺术区。指纹画廊致力于发现、推广和展示反映时代精神的艺术家和艺术项目。以严肃、严谨和具有创造力的工作方式,推动当下正在发生的艺术状态,丰富当代艺术的可能性。

指纹画廊积极与策展人、艺术家和其他机构合作外,也致力于为国内外机构、私人收藏提供咨询及顾问服务。

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